The King Elizabeth
Visual research for Butternut Boo, some sort of collection of ideas expressed through textiles.
The King Elizabeth
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documentassion:

Günther Förg (b 1952), ‘Untitled’, 2008, acrylic and oil on canvas, 114 ⅛ x 157 ½ in.
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bollykecks:

my year in moleskines, an autobiography
bollykecks:

my year in moleskines, an autobiography
bollykecks:

my year in moleskines, an autobiography
bollykecks:

my year in moleskines, an autobiography
bollykecks:

my year in moleskines, an autobiography
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likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
likeafieldmouse:

Giorgio Barrera - Through the Window (2002-9)
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matthiasheiderich:

Matthias Heiderich, 2014.
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nyctaeus:

Soft Construction - PUTPUT
nyctaeus:

Soft Construction - PUTPUT
nyctaeus:

Soft Construction - PUTPUT
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"As a child I never heard one woman say to me, “I love my body.” Not my mother, my elder sister, my best friend. No one woman has ever said, “I am so proud of my body.” So I make sure to say it to Mia, because a positive physical outlook has to start at an early age."
Kate Winslet, speaking about her daughter.  (via thatkindofwoman)
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marcgiela:

Details at Maison Martin Margiela FW 2013 Artisanal Couture
marcgiela:

Details at Maison Martin Margiela FW 2013 Artisanal Couture
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americanamanhasset:

Dior Haute Couture
Raf Simons interpreted the Robe à la Française, a structured bodice with massive side-to-side volume in the skirt, in modern fashion with silhouettes that shunned corsetry in favor fresh solid hues and feminine jacquards that were beautifully embroidered.
americanamanhasset:

Dior Haute Couture
Raf Simons interpreted the Robe à la Française, a structured bodice with massive side-to-side volume in the skirt, in modern fashion with silhouettes that shunned corsetry in favor fresh solid hues and feminine jacquards that were beautifully embroidered.
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heathwest:

untitled (fuchsia/navy), 2014 dye and bleach on metallic photo paper 24 x 16 in.